Reflections from concert halls, recording studios and classrooms across Europe.
Agata is very musical, has a beautiful tone, phenomenal technique, and is reliable as well as an exceptionally pleasant leader. I would highly recommend her as a concertmaster or section leader.
Music Director, Folkoperan Stockholm
Associate Professor of Orchestral Conducting, Royal College of Music, Stockholm
An extremely competent concertmaster who always exudes calm and stability, while at the same time being a brilliant musician with great musicality and excellent solo qualities.
Orchestra Manager, Folkoperan Stockholm
A reliable and dedicated musician who is always well-prepared and ready to meet the demands of the job. I am confident she will be an asset to any orchestra she joins.
Deputy Orchestra Manager, Norrlandsoperan
Agata has a remarkable ability to convey specific knowledge about musical leadership in chamber music, enabling the ensemble to function as a single instrument.
Chamber musician; student, Royal College of Music, Stockholm
Three strands of one musical life.
Violin lessons rooted in body awareness, helping students build freedom, confidence and a sustainable technique.
Research-led recordings, rediscovered composers and artistic collaborations that bring overlooked music to new audiences.
World premiere recording of Laura Netzel’s complete works for violin and piano (DUX, 2026)
Educational project on anatomy-based violin technique, honored by the Polish Ministry of Culture.
PhD studies at the Academy of Music in Gdańsk.
Guest Principal Second Violin, Aalborg Symphony Orchestra
Initiator and artistic coordinator of an international Erasmus+ collaboration between the Royal College of Music Stockholm, Nordiska Musikgymnasiet Stockholm, Staatliche Hochschule für Musik und Darstellende Kunst Stuttgart and Musikgymnasium Stuttgart
Violin teacher and string orchestra leader, Nordiska Musikgymnasiet, Stockholm
Notes from the studio and the road.
Why good violin technique isn’t a set of arbitrary rules but something that follows from how the body is built to move - and what that changes for your tone, your freedom and your playing life.
The shoulder region - the collarbone, the shoulder blade and the muscles around them - is where every bow stroke really begins.
Why aching and strain aren’t the cost of playing but a sign that technique is fighting the body - and how playing in agreement with your anatomy makes them mostly avoidable.
Violinist · Educator · Researcher
Concert moments, new recordings and glimpses of life with the violin. Join me on Instagram for more.
